About
Morgan Mastrangelo’s performances have been hailed as “Terrific” (The New York Times) “a standout” (Parterre Box) and “eye-catching and ear-popping” (Boston Musical Intelligencer).
An Emerging Artist with Boston Lyric Opera, Their credits with the company include Hades in Matt Aucoin’s Eurydice, Tonio in The Daughter of The Regiment (cover), Don Ramiro in La Cenerentola, (cover), and Marzio in Mitridate (cover). They will debut a principal role with the company in October of 2026. Regional credits include Ascanius/First Sailor in Errolyn Wallen’s Dido’s Ghost, (Emmanuel Music, Boston), Hades in the Opera Grand Rapids production of Eurydice, Count Almaviva in il Barbiere di Siviglia (Wichita Grand Opera), and Frederic in The Pirates of Penzance (New York Gilbert and Sullivan Players). They will make their European stage debut this March, singing the role of Astolfe in Lully’s Roland at Opéra Royal Versailles, with the period instrument orchestra i Gemelli.
Active on the concert stage, they recently sang Bach’s solo cantata for tenor Ich armer Mensch, ich Sündenknecht with Bach Vespers New York, and will return to solo on BWV 92 with conductor Harry Bicket later this year. They debuted with Boston Baroque as the tenor soloist in Bach’s Coffee Cantata, BWV 211, and have a long-standing relationship with Emmanuel Music in their weekly Bach Cantata series, singing the tenor solos in over 15 cantatas with the group. Other concert credits include Handel’s Messiah, (Messiah Choral Society of Orlando), and Orff's Carmina Burana (Carnegie Hall).
They are the 2nd Prize winner of the 2025 Concours du chant Baroque Froville, Handel Aria Competition, American National Oratorio Competition, and the 2024 Lyndon-Woodside Oratorio Competition. They are an alumnus of the Young Artist Programs of Opera Saratoga and Teatro Nuovo and earned degrees from Northwestern University and New England Conservatory.
